For example, a line can be lighter in value ( gradation) to suggest greater distance between objects in the drawing.
Styles īy altering the character of the mark, an artist can emulate many aspects of the subject that relate form and space to the viewer. An outline drawing does not include the visual amusement of human sight, while a contour drawing contains form, weight, mass, space, and distance.
#Cross ontour line drawing series#
All three types of drawing are considered to be gesture drawings the practice of drawing a series of bodies in still form. Another technique similar to contour drawing is outline drawing a division between form and the space a subject occupies. To make a blind contour drawing, an artist does not look at the paper or canvas on which they are working on. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception it's important to be guided by instinct. In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. In the hands of a talented master, the line that conveys contour can deliver an astonishing amount of visual delight. It is widely accepted among schools, art institutions, and colleges as an effective training aid and discipline for beginner artists. The first three drawings are student work then examples after the student work are artists from multiple centuries ago:ĭrawing of hand using ink or graphite on 18x24 drawing paper from bond sketch padĪssignment source: Drawing Structure and Vision / Fritz Drury & Joanne Stryker - p.Contour drawing is an essential technique in the field of art because it is a strong foundation for any drawing or painting it can potentially modify a subjects’ form through variation within the lines. Then try to connect them into longer bands.Įxperiment with different levels of looseness or tightly connected cross contour.īefore attempting to draw you hand, practice drawing a round ball.Try to imply the curvature of the ball as you apply your contour hatching marks, turning the ball back at its edges with a greater density of strokes. In the palm or back of the hand, use short strokes laying on the surface of the bumps and depressions of the "skin" of the form in your drawing. Then work into the fingers using cross contour spanning the width of the form.
Layering cross-contour strokes in different directions is sometimes called cross hatching.Īfter laying out the hand position with a few simple lines, start by defining each joint of the fingers as a form bounded by elliptical edges. It can be useful to mix and overlap cross contours, to let them fade in and out of application, or to use them in a "broken" manner. There are many strategies for applying cross contour to the surface of forms. Although cross contour on rectangular surfaces can be useful, the most prevalent form of this technique involves curved contours to describe rounded organic form. In a sense, you could think of cross contour as the multiple profiles of the form actually drawn onto its skin.
Cross contour brings elliptical curves within the boundaries of form to map the surface.Ĭross contour can be applied in one direction or in any mix of directions as long as the mark follows the surface of the form.Ĭross-hatching refers to a softer, woven application often used to build up tonal areas of shadow.Ĭross contour uses line to map the curved surface of depicted forms in a drawing, but instead of dealing with the profile of the form, it moves within the outer boundaries and maps the surface facing the viewer.
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